Comments for 3dtv.fr http://3dtv.fr/wordpress Bernard Mendiburu's FrEnglish bilingual Blog on 3D Tue, 02 Nov 2010 17:44:05 +0000 hourly 1 http://wordpress.org/?v=3.1 Comment on 3D events calendar by bernard http://3dtv.fr/wordpress/?p=92&cpage=1#comment-19 bernard Tue, 02 Nov 2010 17:44:05 +0000 http://3dtv.fr/wordpress/?p=92#comment-19 Done. Done.

]]> Comment on 3D events calendar by Lluis Dubreuil http://3dtv.fr/wordpress/?p=92&cpage=1#comment-18 Lluis Dubreuil Tue, 02 Nov 2010 16:58:14 +0000 http://3dtv.fr/wordpress/?p=92#comment-18 Hi Bernard, Let me congratulate you for your calendar, to thank you for sharing it, and to suggest you to add some events, like next DSE that will take place in Las Vegas from February 22nd to 25th. Kind regards. Lluís Hi Bernard,
Let me congratulate you for your calendar, to thank you for sharing it, and to suggest you to add some events, like next DSE that will take place in Las Vegas from February 22nd to 25th.
Kind regards.
Lluís

]]> Comment on Back to the typewritter by Dr Tom Wilson http://3dtv.fr/wordpress/?p=78&cpage=1#comment-17 Dr Tom Wilson Wed, 27 Oct 2010 17:33:55 +0000 http://3dtv.fr/wordpress/?p=78#comment-17 Bernard, Please take a quick look at the description on our website (http://www.emotion3d.tv/index.php?id=61). I'd be glad to give you more information or a demonstration if you email me directly. In the meantime, good luck with the writing! Tom Bernard,

Please take a quick look at the description on our website (http://www.emotion3d.tv/index.php?id=61). I’d be glad to give you more information or a demonstration if you email me directly.

In the meantime, good luck with the writing!

Tom

]]> Comment on Back to the typewritter by bernard http://3dtv.fr/wordpress/?p=78&cpage=1#comment-15 bernard Tue, 26 Oct 2010 12:54:37 +0000 http://3dtv.fr/wordpress/?p=78#comment-15 Tom, Please send me some description of your product. I'll sure mention it, but that book is about Shooting 3D. There may be another one on Posting 3D, if I my mental health survive this one. /bm/ Tom,
Please send me some description of your product.
I’ll sure mention it, but that book is about Shooting 3D.
There may be another one on Posting 3D, if I my mental health survive this one.
/bm/

]]> Comment on Back to the typewritter by Dr Tom Wilson http://3dtv.fr/wordpress/?p=78&cpage=1#comment-14 Dr Tom Wilson Tue, 26 Oct 2010 08:00:54 +0000 http://3dtv.fr/wordpress/?p=78#comment-14 Cher Bernard, Perhaps there is space to mention emotion3D's upcoming stereo-to-depth-map post-production software? I read your first book eagerly and saw references to Ocula; we are a start-up based in Vienne, and are launching a similar but flickerless plug-in for After Effects at NAB 2011. Please feel free to contact me for details. Sincerely, Tom Wilson Cher Bernard,
Perhaps there is space to mention emotion3D’s upcoming stereo-to-depth-map post-production software? I read your first book eagerly and saw references to Ocula; we are a start-up based in Vienne, and are launching a similar but flickerless plug-in for After Effects at NAB 2011. Please feel free to contact me for details.
Sincerely,
Tom Wilson

]]> Comment on La bataille pour les ecrans en 3D a commence. by bernard http://3dtv.fr/wordpress/?p=47&cpage=1#comment-13 bernard Mon, 25 Oct 2010 02:06:26 +0000 http://3dtv.fr/wordpress/?p=47#comment-13 Merci pour le lien et la confirmation. Je revise mes prix, depuis je pensais les lunettes a $50, Nvidia vient d'annoncer les siennes a $40. Pour avoir un de ces projos en 720p 2500 lumens, je dois dire que c'est bien sombre, mais j'ai pas encore les bonnes lunettes ! Par contre pour la distribution 3D je comprends pas trop ce qui se passe, si ce n'est qu'on trouve rien en magazin et que la 3D monte en puissance en P2P. Attention les ayant droits, oeuil affame n'a pas d'hadopi. Merci pour le lien et la confirmation.

Je revise mes prix, depuis je pensais les lunettes a $50, Nvidia vient d’annoncer les siennes a $40.
Pour avoir un de ces projos en 720p 2500 lumens, je dois dire que c’est bien sombre, mais j’ai pas encore les bonnes lunettes !

Par contre pour la distribution 3D je comprends pas trop ce qui se passe, si ce n’est qu’on trouve rien en magazin et que la 3D monte en puissance en P2P.
Attention les ayant droits, oeuil affame n’a pas d’hadopi.

]]> Comment on La bataille pour les ecrans en 3D a commence. by Hugues Lemoine http://3dtv.fr/wordpress/?p=47&cpage=1#comment-12 Hugues Lemoine Mon, 25 Oct 2010 01:57:29 +0000 http://3dtv.fr/wordpress/?p=47#comment-12 Tu disais "demain je prédis des 1080p a 4000 lumens pour moins de $2500. Avec 75 paires de lunettes a $100, on a une salle 3D pour $10K. C’est certainement ce qui va se faire dans les pays ou le D-cinema, trop cher, a été remplace par du E-cinéma, a base de serveurs et projecteurs non-DCI." et tu ne t'es vraiment pas trompé ... http://goo.gl/MdUZ Tu disais “demain je prédis des 1080p a 4000 lumens pour moins de $2500. Avec 75 paires de lunettes a $100, on a une salle 3D pour $10K. C’est certainement ce qui va se faire dans les pays ou le D-cinema, trop cher, a été remplace par du E-cinéma, a base de serveurs et projecteurs non-DCI.”

et tu ne t’es vraiment pas trompé … http://goo.gl/MdUZ

]]> Comment on Back to the typewritter by Simon Sieverts http://3dtv.fr/wordpress/?p=78&cpage=1#comment-9 Simon Sieverts Fri, 10 Sep 2010 10:30:11 +0000 http://3dtv.fr/wordpress/?p=78#comment-9 Hi Bernard, I would be really pleased if you had something about stereo pre-vis in there - whether it's Frameforge3D, Maya, or the color-system that Bionocle uses, I think it's presence merits some coverage. If you wish, I'd be more than pleased to assist you with any materials regfarding Frameforge3D. Best, Simon Sieverts Hi Bernard,
I would be really pleased if you had something about stereo pre-vis in there – whether it’s Frameforge3D, Maya, or the color-system that Bionocle uses, I think it’s presence merits some coverage. If you wish, I’d be more than pleased to assist you with any materials regfarding Frameforge3D.
Best,
Simon Sieverts

]]> Comment on Back to the typewritter by Dr. David Woods http://3dtv.fr/wordpress/?p=78&cpage=1#comment-7 Dr. David Woods Thu, 19 Aug 2010 12:07:01 +0000 http://3dtv.fr/wordpress/?p=78#comment-7 I'll be keeping a look-out for your book. I too have loose plans to have my "THE Film" ready for a premier ast NAB 2011 although this may be too close a call and 2012 is more realistic. Either way I feel it appropriate to 'show it' to the NAB-type professionals as a way to, at one bound, reveal and have it assessed. THE is "The Holcus Effect" which extracts three dimensional information in conventional 2D material (motion picture film, television, video footage), previously unrecognized, and re-present it to the viewer who, paradoxically looks ONLY at the original footage, yet, after THE conversion, now sees the original in 3D, essentially as the originating cameraperson would have witnessed, had s/he had both eyes open at the moment of capture. THE thus has an intrinsic characteristic of veracity and integrity, the viewer knowing that no CGI, no faux stereo pair-generation has been involved. THE adds value to the archive, and provides potentially important applications ranging from education, museums, security, medical and others. Although I consider THE not to be near the centre of your concern with this publication, if you would like to enhance the proposed content of your book to include THE in some way you consider appropriate, I'd of course be happy to provide whatever information I can. I have demonstrated the prototype version of the THE viewer to: The National Media Museum, Bradford, UK The Imperial War Museum, London, UK The Commonwealth Museum, Bristol, UK The British Film Institute, London, UK and other British locations, The AGM of the AMIA at Vancouver 2003 and other private locations in the US. What I witnessed again and again among these professionals, who deal with film every day, was a shocked and visceral reaction to my assemblage of THE-transformed material. A common response was, time and again, "Why didn't we know about this before?" It is not ready for market but I know it will find specific niche's where the integrity and legal authenticity of the image is valued. Feel free to ask any questions if what I've written here catches your interest. Cordially David Woods Holcus Ltd 16 John Street Kingston Square Hull East Yorkshire UK dwoods@holcus.karoo.co.uk tel. (4401482323421 I’ll be keeping a look-out for your book. I too have loose plans to have my “THE Film” ready for a premier ast NAB 2011 although this may be too close a call and 2012 is more realistic. Either way I feel it appropriate to ‘show it’ to the NAB-type professionals as a way to, at one bound, reveal and have it assessed.
THE is “The Holcus Effect” which extracts three dimensional information in conventional 2D material (motion picture film, television, video footage), previously unrecognized, and re-present it to the viewer who, paradoxically looks ONLY at the original footage, yet, after THE conversion, now sees the original in 3D, essentially as the originating cameraperson would have witnessed, had s/he had both eyes open at the moment of capture.
THE thus has an intrinsic characteristic of veracity and integrity, the viewer knowing that no CGI, no faux stereo pair-generation has been involved.
THE adds value to the archive, and provides potentially important applications ranging from education, museums, security, medical and others.
Although I consider THE not to be near the centre of your concern with this publication, if you would like to enhance the proposed content of your book to include THE in some way you consider appropriate, I’d of course be happy to provide whatever information I can.
I have demonstrated the prototype version of the THE viewer to:
The National Media Museum, Bradford, UK
The Imperial War Museum, London, UK
The Commonwealth Museum, Bristol, UK
The British Film Institute, London, UK
and other British locations,
The AGM of the AMIA at Vancouver 2003
and other private locations in the US.
What I witnessed again and again among these professionals, who deal with film every day, was a shocked and visceral reaction to my assemblage of THE-transformed material. A common response was, time and again, “Why didn’t we know about this before?”
It is not ready for market but I know it will find specific niche’s where the integrity and legal authenticity of the image is valued.
Feel free to ask any questions if what I’ve written here catches your interest.
Cordially
David Woods
Holcus Ltd
16 John Street
Kingston Square
Hull
East Yorkshire
UK
dwoods@holcus.karoo.co.uk
tel. (4401482323421

]]> Comment on Back to the typewritter by Jed Weintrob http://3dtv.fr/wordpress/?p=78&cpage=1#comment-6 Jed Weintrob Wed, 18 Aug 2010 22:21:29 +0000 http://3dtv.fr/wordpress/?p=78#comment-6 Hi Bernard, We just sold a 10 episode series to Discovery's 3D Net, so will be DEEP in the 3D TV production world. Would love to collaborate a bit on the book (I loved your first), either interview and/or a chapter on TV production for cable networks (i.e. at low budget). ;-) I lost your normal email, so getting you thru here, but please reply directly. thanks jed Hi Bernard,
We just sold a 10 episode series to Discovery’s 3D Net, so will be DEEP in the 3D TV production world. Would love to collaborate a bit on the book (I loved your first), either interview and/or a chapter on TV production for cable networks (i.e. at low budget).
;-)

I lost your normal email, so getting you thru here, but please reply directly.
thanks
jed

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